Jazz arranging · Swing & the Big Band Era

BillyMay

1916–2004 arranger · composer · orchestrator

May's arranging style was characterized by crisp, swinging brass sections, often featuring his trademark "slurping" saxophones—a…

iridescent colorexpansive registerpropulsive motion
Portrait of Billy May
Unknown author Unknown author, via Wikimedia Commons · CC0
Predominant era
Swing & the Big Band Era
Lifespan
1916–2004
Signature
iridescent color
00

Edward William "Billy" May Jr. was born in Pittsburgh and studied at the Carnegie Institute of Technology. He played trumpet and arranged for the Glenn Miller Orchestra before moving to California to work as a freelance arranger and conductor.

01

Sound DNA

Five shared dimensions make the arranger’s musical priorities visible at a glance.

Billy May sound DNA Comparative profile of color, space, register, density, and motion.
The same scale is used throughout the collection.
Color90

Iridescent

Instrumental color leads the design.

Space55

Compact

Ideas arrive in tightly packed frames.

Register89

Expansive

Wide spans define the orchestral frame.

Density69

Layered

Several musical planes coexist.

Motion77

Propulsive

Rhythm actively drives the architecture.

02

Technique deck

Select a card to spotlight a device drawn from this arranger’s orchestral language.

03

Scores & orchestras

Switch recordings to compare how this arranger’s musical priorities shape each orchestral profile.

Come Fly with Me · 1958

Moonlight in Vermont

May's arrangements for Sinatra represent some of his finest work.

Listen forNotice how register shapes the orchestral profile.

Comparative orchestral profile
Color 79
Register 80
Density 62
Motion 69
iridescent colorexpansive registerpropulsive motion

Profile derived from the arranger’s documented style and recording notes; exact instrumentation is not asserted.

04

Three essential albums

One line each—enough context to choose the next listen.

  1. 01 1958 Come Fly with MeFrank Sinatra May's arrangements for Sinatra represent some of his finest work.
  2. 02 1953 Sorta-MayBilly May May's arrangements for his own orchestra showcase his jazz credibility.
  3. 03 1957 Just One of Those ThingsNat King Cole May's arrangements for Cole emphasize the singer's swing side rather than his ballad persona.